When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Unlike previous accounts of the demolition (Cowie, 2010 Echols, 2010) that connect it to a national homophobic backlash against disco music, Do You Remember House? addresses the promotion as a phenomenon tied to Chicago’s particular histories of racial apartheid. Building on the work of urban cultural historians studying Chicago’s Black and brown cultural economies (Mumford, 1997 Heap, 2010 Green, 2007), this chapter historicizes the geographic and social frameworks that gave rise to house by showing how the demolition of musical artifacts surrogating queerness, blackness, and Latinidad sutured post-Great Migration histories of residential and economic segregation to new spaces for queer of color conviviality near Chicago’s central business district.
The infamous event, at which baseball fans detonated a pile of disco records, was a flashpoint that presaged the codification of Chicago house music as a distinct set of cultural practices and sounds. Chapter 1 begins with a detailed historical account of rock radio station WLUP’s 1979 Disco Demolition Night promotion at Comiskey Stadium.
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